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SMYTHE

Smythe When Sir Alexander Smythe says he wants to apprehend the twins because they are foreign agents guilty of assaults on him and his men, who have evaded prosecution through base political maneuvering, he's...well, he's right, actually.

Smythe's methods may seem barbaric by modern standards, but he lives more than two hundred years before the birth of the modern concept of human rights as envisioned during during the Enlightenment. In Smythe's time "justice" is known by all to commonly involve horrific torture and petty theft is a hanging offence. He is a soldier and officer of the law and his "atrocities" are remarkable only by the fact that he takes no pleasure in them; they are merely the tools of his trade.

Is he evil, or merely a man of his time? While a fascinating subject for historical debate, it is irrelevant to the twins, because they're well aware that he's out to get them.

Smythe, pronounced as rhyming with "writhe," is an excellent swordsman, educated in military strategy. Described by D'Angelo as "the Devil's Lieutenant," Smythe is silent and efficient in his work. While his preoccupation with personal cleanliness is unremarkable

by modern standards, it is considered by his peers to be "unnatural." Described by Liano as "the whoreson bastard whose heartsblood I want on my sword," he is best characterized as humorless. That is to say, "devoid of humor." Completely.
The character of Sir Alexander Smythe that Scott Mullen created and performed for years at the Bay Area Renaissance Festival of Largo has been a very strong inspiration for this character. Scott graciously and enthusiastically gave permission for the use of that name and his face for this work. Scott is a brilliant stage combatant and an visual artist of enviable talent...and enviable hair.

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